Matthew Barton – Orchid

by | Feb 12, 2020 | Song of the Day

I opened the gate and they stopped, turning. I was trying to say, and I caught her, trying to say, and she screamed and I was trying to say and trying and the bright shapes began to stop and I tried to get out. I tried to get it off of my face, but the bright shapes were going again. William Faulkner, The Sound and the Fury

Benjy Compson, Faulkner’s thirty-three-year-old future freshman at the State Asylum in Jackson, was possessed by a loss that he could not articulate. The smell of trees, his sister’s name shouted by golfers in the adjacent pasture, her banishment through the iron gate… The mental images were all the same bright shape as fire. Ain’t nothing going to quiet him, T.P. said. He think if he down to the gate, Miss Caddy come back.

Matthew Barton’s ‘Orchid’ is a song of obsession, a Faulknerian yearning for the return of a flower never possessed yet somehow lost. The soul’s desires are expressed as a disjointed series of images and unspoken demands, the 3AM thoughts of one who awakens from a happy dream to find the other side of the bed – empty when the gateway to sleep was opened – still deserted.

i would die for you
even though i never met you…

give me my orchid
give me my orchid…

give me back what’s missing
lingering absence
when i think of your kiss…

The music is stripped to its essentials: percussion, voice, and single-note keyboard lines lifted from the Pac-Man console wedged into the dustiest corner of an abandoned arcade, the one on which someone has taped a hand-scrawled cardboard sign reading Only the Lonely. The track is dominated by airy spaces large enough to accommodate a psychiatrist’s couch.

Matthew Barton describes his music as What if Daniel Johnston fronted the Young Marble Giants and made lo-fi cassette tapes of retro ’60s girl group songs? His recordings capture a variety of instruments including dulcimers, harmoniums, autoharps, tubs of rice, and any percussion he can lay his hands on. Matthew is starting to gain some traction, releasing a series of singles and playing gigs around the UK.

Matthew Barton’s music is available on Bandcamp, Soundcloud, Spotify, and Apple Music. And be sure to follow Matthew Barton on Instagram and Twitter.

Charles Norman is a writer and historian. Email: reverb.raccoon@gmail.com. Or follow on Instagram and Facebook.

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